Adelphi has its own in-house DTP studio providing Dutch DTP services including localisation of images, providing a print ready PDF or InDesign files with either outlined or editable text. All our Dutch DTP is handled in-house and carried out by our own experienced typesetters.
Adelphi Translations have been producing Dutch DTP for over 15 years. We produce all kinds of Dutch DTP materials including corporate brochures, packaging, business cards, posters and manuals, not just in Dutch but also in over 60 other languages.
Below are examples of Dutch DTP services by Adelphi Translations
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We provide DTP services for companies and organisations such as Disney, Vidal Sassoon, and Jaguar Land Rover, to list a few. Plus international aid agencies such as Amnesty International, Refugee Action, UNICEF and the Refugee Council as well as many translation agencies and publishing companies all over the world.
Adelphi is a Dutch DTP and translation agency that aims to provide a full DTP localisation service to our customers.
Our Dutch DTP services include:
In some designs the pages are simply filled with text, leaving no room for text expansion. Most languages (with some notable exceptions) run longer than English and some of them run much longer. This causes the localised versions to have to make some sort of compromise: either text becomes smaller or a condensed font is used, or some material is completely cut out for brevity. Neither scenario is ideal, so it is much better to consider this aspect of the task at the design stage.
Overuse of text formatting features like coloured text, bold text and italic text etc. can slow down the localisation process, as the formatting needs to be applied to the precise word or phrase in translation that is equivalent to the English. Sometimes, this does not work at all if the target language has a dramatically different word order.
Embedded, non-editable text in images requires extra attention, and can slow things down dramatically, especially when over the main part of the image. Where possible, the text should be made available for editing in InDesign. If not, we will require all of the PSD files to work with.
Avoid designing paragraphs or “word clouds” with mixed font sizes that look good in English but have no chance of being replicated in the target language: quite often they do not have the same impact when localised and can often be “lost in translation”. Furthermore, due to word order difference, key words in English at the beginning of a sentence might end up in the middle or at the end of the sentence when translated.
One of the most frequent issues we encounter is incorrect and inconsistent usage of style sheets, in particular where one style has been used but in some instances bold text, italics or even different fonts have been changed manually. This can cause the most significant delays of all, and is the biggest source of small typos we encounter during internal QA.
Sending the artwork to be typeset BEFORE the client signs it off is never a good idea, and neither are new design changes after we have already started the work. We can do nothing in situations like these where significant changes are requested mid-project but start again and present new figures for the work, delaying work and incurring further costs for the client.
Adelphi has its own in-house DTP studio providing Kurdish DTP services including localization of images, providing a print ready PDF or InDesign files with either outlined or editable text. All our Kurdish DTP is handled in-house and carried out by our own experienced typesetters.
Below are some examples of Kurdish DTP by Adelphi Translations
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Adelphi Translations have been producing Kurdish DTP for over 15 years. We produce all kinds of Kurdish DTP materials including corporate brochures, packaging, business cards, posters and manuals, not just in Kurdish but also in over 60 other languages.
We work for companies and organisations such as Disney, Vidal Sassoon, and Jaguar Land Rover, to list a few. Plus international aid agencies such as Amnesty International, Refugee Action, UNICEF and the Refugee Council as well as many translation agencies all over the world.
In some designs the pages are simply filled with text, leaving no room for text expansion. Most languages (with some notable exceptions) run longer than English and some of them run much longer. This causes the localized versions to have to make some sort of compromise: either text becomes smaller or a condensed font is used, or some material is completely cut out for brevity. Neither scenario is ideal, so it is much better to consider this aspect of the task at the design stage.
Overuse of text formatting features like coloured text, bold text and italic text etc. can slow down the localisation process, as the formatting needs to be applied to the precise word or phrase in translation that is equivalent to the English. Sometimes, this does not work at all if the target language has a dramatically different word order.
Embedded, non-editable text in images requires extra attention, and can slow things down dramatically, especially when over the main part of the image. Where possible, the text should be made available for editing in InDesign. If not, we will require all of the PSD files to work with.
Avoid designing paragraphs or “word clouds” with mixed font sizes that look good in English but have no chance of being replicated in the target language: quite often they do not have the same impact when localised and can often be “lost in translation”. Furthermore, due to word order difference, key words in English at the beginning of a sentence might end up in the middle or at the end of the sentence when translated.
One of the most frequent issues we encounter is incorrect and inconsistent usage of style sheets, in particular where one style has been used but in some instances bold text, italics or even different fonts have been changed manually. This can cause the most significant delays of all, and is the biggest source of small typos we encounter during internal QA.
Sending the artwork to be typeset BEFORE the client signs it off is never a good idea, and neither are new design changes after we have already started the work. We can do nothing in situations like these where significant changes are requested mid-project but start again and present new figures for the work, delaying work and incurring further costs for the client.
Adelphi has its own in-house DTP studio providing Tamil DTP services including localization of images, providing a print-ready PDF or InDesign files with either outlined or editable text. All our Tamil DTP is handled in-house and carried out by our own experienced typesetters.
Adelphi Translations have been producing Tamil DTP for over 15 years. We produce all kinds of Tamil DTP materials including corporate brochures, packaging, business cards, posters and manuals, not just in Tamil but also in over 60 other languages.
We work for companies and organisations such as Disney, Vidal Sassoon, and Jaguar Land Rover, to list a few. Plus international aid agencies such as Amnesty International, Refugee Action, UNICEF and the Refugee Council as well as many translation agencies all over the world.
In some designs the pages are simply filled with text, leaving no room for text expansion. Most languages (with some notable exceptions) run longer than English and some of them run much longer. This causes the localized versions to have to make some sort of compromise: either text becomes smaller or a condensed font is used, or some material is completely cut out for brevity. Neither scenario is ideal, so it is much better to consider this aspect of the task at the design stage.
Overuse of text formatting features like coloured text, bold text and italic text etc. can slow down the localisation process, as the formatting needs to be applied to the precise word or phrase in translation that is equivalent to the English. Sometimes, this does not work at all if the target language has a dramatically different word order.
Embedded, non-editable text in images requires extra attention and can slow things down dramatically, especially when over the main part of the image. Where possible, the text should be made available for editing in InDesign. If not, we will require all of the PSD files to work with.
Avoid designing paragraphs or “word clouds” with mixed font sizes that look good in English but have no chance of being replicated in the target language: quite often they do not have the same impact when localised and can often be “lost in translation”. Furthermore, due to word order difference, keywords in English at the beginning of a sentence might end up in the middle or at the end of the sentence when translated.
One of the most frequent issues we encounter is incorrect and inconsistent usage of style sheets, in particular where one style has been used but in some instances, bold text, italics or even different fonts have been changed manually. This can cause the most significant delays of all and is the biggest source of small typos we encounter during internal QA.
Sending the artwork to be typeset BEFORE the client signs it off is never a good idea, and neither are new design changes after we have already started the work. We can do nothing in situations like these where significant changes are requested mid-project but start again and present new figures for the work, delaying work and incurring further costs for the client.
Adelphi has its own in-house DTP studio providing Hindi DTP services including localization of images, providing a print ready PDF or InDesign files with either outlined or editable text. All our Hindi DTP is handled in-house and carried out by our own experienced typesetters.
Below are some examples of Hindi DTP by Adelphi Translations
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Adelphi Translations have been producing Hindi DTP for over 15 years. We produce all kinds of Hindi DTP materials including corporate brochures, packaging, business cards, posters and manuals, not just in Hindi but also in over 60 other languages.
We work for companies and organisations such as Disney, Vidal Sassoon, and Jaguar Land Rover, to list a few. Plus international aid agencies such as Amnesty International, Refugee Action, UNICEF and the Refugee Council as well as many translation agencies all over the world.
In some designs the pages are simply filled with text, leaving no room for text expansion. Most languages (with some notable exceptions) run longer than English and some of them run much longer. This causes the localized versions to have to make some sort of compromise: either text becomes smaller or a condensed font is used, or some material is completely cut out for brevity. Neither scenario is ideal, so it is much better to consider this aspect of the task at the design stage.
Overuse of text formatting features like coloured text, bold text and italic text etc. can slow down the localisation process, as the formatting needs to be applied to the precise word or phrase in translation that is equivalent to the English. Sometimes, this does not work at all if the target language has a dramatically different word order.
Embedded, non-editable text in images requires extra attention, and can slow things down dramatically, especially when over the main part of the image. Where possible, the text should be made available for editing in InDesign. If not, we will require all of the PSD files to work with.
Avoid designing paragraphs or “word clouds” with mixed font sizes that look good in English but have no chance of being replicated in the target language: quite often they do not have the same impact when localised and can often be “lost in translation”. Furthermore, due to word order difference, key words in English at the beginning of a sentence might end up in the middle or at the end of the sentence when translated.
One of the most frequent issues we encounter is incorrect and inconsistent usage of style sheets, in particular where one style has been used but in some instances bold text, italics or even different fonts have been changed manually. This can cause the most significant delays of all, and is the biggest source of small typos we encounter during internal QA.
Sending the artwork to be typeset BEFORE the client signs it off is never a good idea, and neither are new design changes after we have already started the work. We can do nothing in situations like these where significant changes are requested mid-project but start again and present new figures for the work, delaying work and incurring further costs for the client.
Hindi DTP Services – Print Ready Hindi Publications
Adelphi has its own in-house DTP studio providing Hindi DTP services includes localization of images, providing a print ready PDF or InDesign files
Adelphi has its own in-house DTP studio providing Thai DTP services including localization of images, providing a print ready PDF or InDesign files with either outlined or editable text. All our Thai DTP is handled in-house and carried out by our own experienced typesetters.
Below is an example of Thai DTP for Amnesty International by Adelphi Translations
Adelphi Translations have been producing Thai DTP for over 15 years. We produce all kinds of Thai DTP materials including corporate brochures, packaging, business cards, posters and manuals, not just in Thai but also in over 60 other languages.
We work for companies and organisations such as Disney, Vidal Sassoon, and Jaguar Land Rover, to list a few. Plus international aid agencies such as Amnesty International, Refugee Action, UNICEF and the Refugee Council as well as many translation agencies all over the world.
In some designs the pages are simply filled with text, leaving no room for text expansion. Most languages (with some notable exceptions) run longer than English and some of them run much longer. This causes the localized versions to have to make some sort of compromise: either text becomes smaller or a condensed font is used, or some material is completely cut out for brevity. Neither scenario is ideal, so it is much better to consider this aspect of the task at the design stage.
Overuse of text formatting features like coloured text, bold text and italic text etc. can slow down the localisation process, as the formatting needs to be applied to the precise word or phrase in translation that is equivalent to the English. Sometimes, this does not work at all if the target language has a dramatically different word order.
Embedded, non-editable text in images requires extra attention, and can slow things down dramatically, especially when over the main part of the image. Where possible, the text should be made available for editing in InDesign. If not, we will require all of the PSD files to work with.
Avoid designing paragraphs or “word clouds” with mixed font sizes that look good in English but have no chance of being replicated in the target language: quite often they do not have the same impact when localised and can often be “lost in translation”. Furthermore, due to word order difference, key words in English at the beginning of a sentence might end up in the middle or at the end of the sentence when translated.
One of the most frequent issues we encounter is incorrect and inconsistent usage of style sheets, in particular where one style has been used but in some instances bold text, italics or even different fonts have been changed manually. This can cause the most significant delays of all, and is the biggest source of small typos we encounter during internal QA.
Sending the artwork to be typeset BEFORE the client signs it off is never a good idea, and neither are new design changes after we have already started the work. We can do nothing in situations like these where significant changes are requested mid-project but start again and present new figures for the work, delaying work and incurring further costs for the client.
Thai DTP Services – Print Ready Thai Publications
Adelphi has its own in-house DTP studio providing Thai DTP services includes localization of images, providing a print ready PDF or InDesign files
Adelphi has its own in-house DTP studio providing Farsi DTP services including localization of images, providing a print ready PDF or InDesign files with either outlined or editable text. All our Farsi DTP is handled in-house and carried out by our own experienced typesetters.
Below is an example of Farsi DTP for Amnesty International by Adelphi Translations
Adelphi Translations have been producing Farsi DTP for over 15 years. We produce all kinds of Farsi DTP materials including corporate brochures, packaging, business cards, posters and manuals, not just in Farsi but also in over 60 other languages.
We work for companies and organisations such as Disney, Vidal Sassoon, and Jaguar Land Rover, to list a few. Plus international aid agencies such as Amnesty International, Refugee Action, UNICEF and the Refugee Council as well as many translation agencies all over the world.
In some designs the pages are simply filled with text, leaving no room for text expansion. Most languages (with some notable exceptions) run longer than English and some of them run much longer. This causes the localized versions to have to make some sort of compromise: either text becomes smaller or a condensed font is used, or some material is completely cut out for brevity. Neither scenario is ideal, so it is much better to consider this aspect of the task at the design stage.
Overuse of text formatting features like coloured text, bold text and italic text etc. can slow down the localisation process, as the formatting needs to be applied to the precise word or phrase in translation that is equivalent to the English. Sometimes, this does not work at all if the target language has a dramatically different word order.
Embedded, non-editable text in images requires extra attention, and can slow things down dramatically, especially when over the main part of the image. Where possible, the text should be made available for editing in InDesign. If not, we will require all of the PSD files to work with.
Avoid designing paragraphs or “word clouds” with mixed font sizes that look good in English but have no chance of being replicated in the target language: quite often they do not have the same impact when localised and can often be “lost in translation”. Furthermore, due to word order difference, key words in English at the beginning of a sentence might end up in the middle or at the end of the sentence when translated.
One of the most frequent issues we encounter is incorrect and inconsistent usage of style sheets, in particular where one style has been used but in some instances bold text, italics or even different fonts have been changed manually. This can cause the most significant delays of all, and is the biggest source of small typos we encounter during internal QA.
Sending the artwork to be typeset BEFORE the client signs it off is never a good idea, and neither are new design changes after we have already started the work. We can do nothing in situations like these where significant changes are requested mid-project but start again and present new figures for the work, delaying work and incurring further costs for the client.
Farsi DTP Services – Print Ready Farsi Publications
Adelphi has its own in-house DTP studio providing Farsi DTP services includes localization of images, providing a print ready PDF or InDesign files
Adelphi has its own in-house DTP studio providing Arabic DTP services including localization of images, providing a print ready PDF or InDesign files with either outlined or editable text. All our Arabic DTP is handled in-house and carried out by our own experienced typesetters.
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Adelphi Translations have been producing Arabic DTP for over 15 years. We produce all kinds of Arabic DTP materials including corporate brochures, packaging, business cards, posters and manuals, not just in Arabic but also in over 60 other languages.
We work for companies and organisations such as Disney, Vidal Sassoon, and Jaguar Land Rover, to list a few. Plus international aid agencies such as Amnesty International, Refugee Action, UNICEF and the Refugee Council as well as many translation agencies all over the world.
In some designs the pages are simply filled with text, leaving no room for text expansion. Most languages (with some notable exceptions) run longer than English and some of them run much longer. This causes the localised versions to have to make some sort of compromise: either text becomes smaller or a condensed font is used, or some material is completely cut out for brevity. Neither scenario is ideal, so it is much better to consider this aspect of the task at the design stage.
Overuse of text formatting features like coloured text, bold text and italic text etc. can slow down the localisation process, as the formatting needs to be applied to the precise word or phrase in translation that is equivalent to the English. Sometimes, this does not work at all if the target language has a dramatically different word order.
Embedded, non-editable text in images requires extra attention, and can slow things down dramatically, especially when over the main part of the image. Where possible, the text should be made available for editing in InDesign. If not, we will require all of the PSD files to work with.
Avoid designing paragraphs or “word clouds” with mixed font sizes that look good in English but have no chance of being replicated in the target language: quite often they do not have the same impact when localised and can often be “lost in translation”. Furthermore, due to word order difference, key words in English at the beginning of a sentence might end up in the middle or at the end of the sentence when translated.
One of the most frequent issues we encounter is incorrect and inconsistent usage of style sheets, in particular where one style has been used but in some instances bold text, italics or even different fonts have been changed manually. This can cause the most significant delays of all, and is the biggest source of small typos we encounter during internal QA.
Sending the artwork to be typeset BEFORE the client signs it off is never a good idea, and neither are new design changes after we have already started the work. We can do nothing in situations like these where significant changes are requested mid-project but start again and present new figures for the work, delaying work and incurring further costs for the client.
We work for companies and organisations such as Disney, Vidal Sassoon, and Jaguar Land Rover, to list a few. Plus international aid agencies such as Amnesty International, Refugee Action, UNICEF and the Refugee Council as well as many translation agencies and publishing companies all over the world.
By using an IDML file exported from InDesign we can speed up the translation and DTP process when using translation memory software. This method keeps all the formatting from the original InDesign file such as links, character and paragraph styles and fonts plus any interactive elements such as cross-references.
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Clients often come to us with Cambodian translations produced by another agency or freelance linguist. However, in many cases, the translator will not have used a font that is compatible with any typesetting software, making the translation unusable. In cases where the wrong font is used, the entire translation has to be rewritten using a professional font, thus incurring additional costs for you.
Thanks to Adelphi’s typesetting expertise, we understand that Cambodian fonts are often incompatible with each other and cannot simply be swapped with other Cambodian fonts. When we produce the Cambodian translation, we make sure that it is translated using a professional font that works in typesetting software packages.
Adelphi works for companies and organisations such as Disney, Vidal Sassoon, and Jaguar Land Rover, to list a few. Plus international aid agencies such as Amnesty International, Refugee Action, UNICEF and the Refugee Council as well as many translation agencies and publishing companies all over the world.
By using an IDML file exported from InDesign we can speed up the translation and DTP process when using translation memory software. This method keeps all the formatting from the original InDesign file such as links, character and paragraph styles and fonts plus any interactive elements such as cross-references.
Adelphi Translations Limited is a company registered in England and Wales.
Company Number 06989736 · Registered Office The Accounting House, Sheepbridge Lane, Chesterfield S41 9RX